A Refinement -- As To The Polyakov Action

As according to my theory of string theory model:  During instanton, -- particularly during the durational course of the Polyakov Action, -- the overt vibrational oscillation of a superstring of discrete energy permittivity, is basically held to a standstill. The apparent vibrational oscillation that such superstrings, as is here to be conveyed during the integration of group-related instantons, that an observer is to notice, is thence to be overtly displayed, via the course of those relatively gradual metric-related changes that are here to be determined, over what is here to occur, during the integration of a sequential series of group-related instantons. Here is a metaphor, that might make you to better understand what I am trying to convey:

Let us say that one were to make a Metaphorical "cartoon," out of the relative motion of a superstring of discrete energy permittivity. Although during the generally unnoticed duration of Ultimon Flow, the said superstring is to work to convey at least some overt vibrational oscillation, -- it stands, that right as the said superstring is to be undergoing one specific and particular gauged-metrical activity of the Polyakov Action, (which happens to be during the generally Noticed duration of Ultimon Flow), -- that such an overt tense of a vibrational oscillation, is here to be basically mute. Yet; the alterations in the vibrational delineation of such a specific said superstring, is here to tend to gradually alter by the Plank Radii and/or by the Planck Length, from one instanton to the next. So; when one is to compile an integration of such Noether-Related alterations -- as this is here to be taken over a sequential series of group-related instantons, -- this will thereby tend to work to show the appearance, of a constant exhibition-related display, of the general tense of the vibrational oscillation, that is here to be of such a holonomy of a discrete increment of energy permittivity. This is thence to be Metaphorically analogous, to compiling an integration of stand-still pictures, that are here to be of a sequential series of "frames," in so as to work to form the appearance of motion. TO BE CONTINUED! SINCERELY, SAMUEL ROACH.